10/31/2023 0 Comments Moment of truth paul![]() I know their tracks and soundscapes are going to be amazing, and I look forward to what we’re going to come up with together.” The first five Eastmond-produced cuts on Ladies’ Choice include the title track, “Here We Go” and “Streamline,” three co-writes by Eastmond and Taylor that blend old school soul atmospheres, bouncing bass grooves and the saxophonist’s dashing flair for horn texturing. I have a dynamic chemistry with both, and each in their own way brings out the essence of what I do with my melodies. “They want to know who’s going to do the most tracks,” Taylor laughs, “and who’s going to win out-Barry, whom Rex calls ‘the king of urban AC,’ or Rex, whose trademark is creating subtle accompaniment that lets me grow and do my thing. I’ve included vocal tracks before on my recordings, but these ladies are taking my music to a whole new level.”Įastmond (who produced seven tracks), Rideout (four) and Taylor are all good friends, and Taylor’s two producers have a friendly competition going each time the sax man asks them to come on board. ![]() Once we had established this concept, we expanded on it by including songs sung by some of my favorite female artists. When we listened back to the first song we wrote, its cool thumping old school vibe just reminded me of those 70s disco nights and the title ‘Ladies’ Night’ just hit me as the right title to convey the blend of retro-soul, romantic music and contemporary edges we were going for. “Generally, he’ll have some tracks worked up and I’ll start with some melodic ideas and take it from there. “When I first got into the studio with Barry at his place in New York, we started completely from scratch and had no idea that the exciting Ladies’ Choice idea would emerge,” says Taylor. The DJ would stop the music, take the mike and declare the next song to be “Ladies’ Choice”-an invitation for the ladies to pick the guys they want to dance with. The title was inspired by a special moment that happened every night at clubs throughout the country in the 70s. The collection is also the sax man’s third in a row-after 2003’s Steppin’ Out and 2005’s Nightlife-to feature tracks helmed by veteran R&B/jazz producers Barry Eastmond (Al Jarreau, Regina Belle, Jonathan Butler, Anita Baker) and Rex Rideout (Richard Elliot, Gerald Albright, Boney James, Najee). He collaborated with many R&B vocalists such as LaToya London, Regina Belle, and Terry Dexter.Įxpanding upon the sensuous and romantic smooth jazz vibe that has made him one of the genre’s most dynamic saxophonists, Paul Taylor makes his fourth Peak Records release a true Ladies’ Choice creating his most soulful instrumental tracks ever and keeping company with three of today’s most acclaimed female R&B vocalists-Regina Belle, La Toya London and Terry Dexter.Ĭapturing all of the soulful grooves, dazzling melodies and seductive magic that have become his trademark, Ladies’ Choice perfectly reflects the incredible synergy the charismatic Taylor has had for over a decade with his devoted audience, and takes his music to a whole new urban adult contemporary dimension. He also played as a special guest with the Rippingtons for a short time in 19, after Jeff Kashiwa left the group and before Eric Marienthal joined them. Although originally from Denver, Colorado, he is based in Las Vegas, Nevada. Paul Taylor (born April 30, 1960) is an American smooth jazz saxophonist who has released eight albums since his debut On the Horn in 1995. (1… Read Full Bio ↴ The name "Paul Taylor" is used for (at least) three different artists: The name "Paul Taylor" is used for (at least) three different artists:
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